In my last post, A Month of Sunsets, I mentioned that a few things had happened in regards to my books. Now, let me preface this by saying my primary goal for my six-week vacation was lots of reading (accomplished: read 10 books), some writing (wrote about 17,000 words), and basic camp stuff (swimming, sunset gazing, fire pits, and early “happy hours”). Instead, on July 7th, my traditional publisher, Barking Rain Press (BRP), announced that it would be closing shop immediately. Authors would be paid out any royalties owed by the end of 2019, but we were on our own when it came to recreating our files and arranging for new cover art.

Now, I’ll be honest. The signs that things were “going south” with BRP had been there for the past eighteen months, and possibly longer. It wasn’t a financial thing…authors were still getting paid (though often late), but the case of a one-man band who ran into a ton of personal issues that took precedence over running a publishing company. In fact, these early warning signs were what led me to start my own imprint, Superior Shores Press, and as the terms of my contract for The Hanged Man’s Noose with BRP came up, I requested my rights back to publish under the SSP imprint. But I hadn’t expected the rights back to Skeletons in the Attic until December 2020 and A Hole in One until March 2021, and so I’d done absolutely none of the work required to publish either. And despite my increasing frustration with BRP’s lack of promotion and communication over the several months, it broke my heart to see yet another small press go by the wayside, leaving the authors and their series “orphaned.” Because while I had a backup plan, most authors did not. And because, without BRP (and the owner, Sheri Gormley) taking a chance on me in 2014, I may never have published a single book. (You can read all about my signing with BRP here).

But back to Skeletons and AHIO. I could have left everything “undone” until my return in August. But those who know me know that simply wasn’t an option. And so, early mornings and after sunsets, I set to work preparing my files and working with my fabulous illustrator, S.A. Hadi hassan, and graphic artist, Hunter Martin. As of Aug. 3, both Skeletons and AHIO are now available in trade paperback at all the usual suspects, and on Kindle (I’ll get them on Kobo, Nook, Apple in 90-180 days when my exclusive KDP/Kindle contract ends).

And now, here are my old vs. new covers (same content, though I’ve added a 4-chapter preview of Past  & Present at the end of Skeletons):

Old Cover (which I always hated)

 

New cover

 

Old cover

 

New cover

 

Find all of my books on Amazon


Discover more from Judy Penz Sheluk

Subscribe to get the latest posts sent to your email.