My #SimcoeReads Author Chat with Michael Christie

About Michael Christie… is the author of the novel If I Fall, If I Die, which was longlisted for the Scotiabank Giller Prize, the Kirkus Prize, was selected as a New York Times Editors’ Choice Pick, and was on numerous best-of 2015 lists. His linked collection of stories, The Beggar’s Garden, was longlisted for the Scotiabank Giller Prize, shortlisted for the Writers’ Trust Prize for Fiction, and won the Vancouver Book Award. His essays and book reviews have appeared in the New York Times, the Washington Post, and the Globe & Mail.Greenwood, his most recent novel, was longlisted for the Scotiabank Giller Prize. Rights have been sold in several countries.

A former carpenter and homeless shelter worker, Michael Christie divides his time between Victoria, British Columbia, and Galiano Island, where he lives with his wife and two sons in a timber frame house that he built himself.

About the book.. It’s 2034 and Jake Greenwood is a storyteller and a liar, an overqualified tour guide babysitting ultra-rich vacationers in one of the world’s last remaining forests. It’s 2008 and Liam Greenwood is a carpenter, fallen from a ladder and sprawled on his broken back, calling out from the concrete floor of an empty mansion. It’s 1974 and Willow Greenwood is out of jail, free after being locked up for one of her endless series of environmental protests: attempts at atonement for the sins of her father’s once vast and violent timber empire. It’s 1934 and Everett Greenwood is alone, as usual, in his maple syrup camp squat when he hears the cries of an abandoned infant and gets tangled up in the web of a crime that will cling to his family for decades.

And throughout, there are trees: thrumming a steady, silent pulse beneath Christie’s effortless sentences and working as a guiding metaphor for withering, weathering, and survival. A shining, intricate clockwork of a novel, Greenwood is a rain-soaked and sun-dappled story of the bonds and breaking points of money and love, wood and blood—and the hopeful, impossible task of growing toward the light.